David R. Walker

Posts Tagged ‘Tom Burke’

Furiosa: A Mad Max Saga

Director: George Miller

Cast: Chris Hemsworth, Anya Taylor-Joy, Tom Burke, Alyla Browne, Lachy Hulme, Nathan Jones, Josh Helman, David Field, Charlee Fraser, Angus Sampson

Running time: 2 hours and 28 minutes

Film Rating: 7.5 out of 10

The 79 year old Australian director George Miller returns to the Mad Max crazy universe in his new film Furiosa: A Mad Max Saga starring Anya Taylor-Joy (The Menu, Emma) as Furiosa starring in her first big budget film. Australian actor Chris Hemsworth (Rush, Thor: Ragnarok) plays Dementus the evil leader of a desert biker gang in a dystopian world characterized by random violence, territorial disputes and scarcity.

Furiosa was kidnapped as a young girl from a utopian area filled with lush greenery and an abundant supply of water. She manages to survive mainly disguising herself as a boy for 15 years until she accompanied Praetorian Jack played by British actor Tom Burke as they travel from Gas Town to Bullet Farm, trying to escape Dementus and his deranged gang of bikers that often attack the rig, a heavy duty truck fitted with all sorts of menacing gadgets to fend off attackers on the wild desert roads.

Furiosa: A Mad Max Saga had a glittering out of competition film premiere at the 2024 Cannes Film Festival before a general theatrical release in May 2024. The film from the visionary mind that brought audiences all the Mad Max films, is beautifully crafted with an exceptionally fascinating colour palette making use of the contrasting starkness of the Australian outback coupled with gritty production design. The costumes are equally a delight, designed again by Oscar winning costume designer Jenny Beavan who won Oscars for A Room with a View, Mad Max: Fury Road and more recently Cruella.

Despite the bizarre characters with names like the brothers Erictus and Scrotus, the storyline for Furiosa is not brilliantly told and the casting of the film needed some work. Personally I found Chris Hemsworth wrongfully cast as the villain Dementus – it should have had an actor like Tom Hardy to play that role. Hemsworth after playing Thor in the Marvel films doesn’t have the ability to play a hero and a villain successfully. In this film, he looked like a truly demented cult leader clutching onto a teddy bear and barking cognisant orders to his insane group of bikers who follow him like obedient animals.

Anya Taylor-Joy made the most of her role as Furiosa although I also felt she was miscast and they needed a more muscular actress to play this pivotal role. Tom Burke was well cast as the tough truck driver Praetorian Jack who has a fleeting romance with Furiosa before they both get threatened by a turf war between Dementus and The Organic Mechanic played by Angus Sampson from The Lincoln Lawyer series on Netflix.

Furiosa: A Mad Max Saga is saved by the unbelievable action sequences especially in chapter 3 of the film, entitled The Stowaway.

As a dystopian action film, the running time was way too long and could have been edited drastically. If audiences enjoy the Mad Max desert scarred universe, the go and watch Furiosa: A Mad Max Saga at cinemas, it is visually compelling although let down by misinformed casting and a rickety narrative.

Furiosa: A Mad Max Saga is saved by extraordinary production design entirely shot in the Australian outback and gets a film rating of 7.5 out of 10. It is a cinematic opera about cruelty, scarcity and tenacity – lessons from a bleak wasteland. See it to believe it but recommended strictly for fans.

Mank

Director: David Fincher

Cast: Gary Oldman, Amanda Seyfried, Tom Burke, Ferdinand Kingsley, Arliss Howard, Charles Dance, Lily Collins, Tuppence Middleton, Toby Leonard Moore, Monika Gossmann, Joseph Cross

This Film is only available on NETFLIX

The Social Network director David Fincher returnswith the unbelievably brilliant story of the screenwriter Herman Mankiewizc in the 2020 film about 1930’s Hollywood Mank starring Oscar winner Gary Oldman as the erudite, heavy drinking screenwriter who become extraordinarily famous when he won the best original screenplay for the most iconic film ever made, director Orson Welles’s Citizen Kane (1941) inspired by the real life story of American media billionaire William Randolph Hearst and his illicit romance with the gorgeous silent screen film star Marion Davies, 30 years his junior.

Fincher cleverly frames every alternate scene in Mank with the formatting for writing screenplays, however what really dazzles is the superb script written by Fincher’s father Jack Fincher.

What is especially thrilling to watch is Gary Oldman delivering another superb performance as the tortured screenwriter who after breaking his leg in a car accident is confined to a ranch in California to finish the original screenplay for the demanding Orson Welles played by Tom Burke.

Oldman’s performance is a companion piece to his Oscar winning turn as Sir Winston Churchill in 2017’s film Darkest Hour. The frame of his character is the same. Mank has young women assisting him, in this case Rita Alexander played by Lily Collins and Fraulein Frida played by Monika Gossmann. Then there is Herman Mankiewizc’s long suffering wife Sara, wonderfully played by British actress Tuppence Middleton (The Imitation Game, The Current War).

What is so masterful about Mank are the fabulous flashback scenes to Mank’s platonic enchantment with the dazzling silent screen diva Marion Davies, superbly played by Amanda Seyfried, who loves to make an impressionable exit especially out of a studio lot.

In these brilliantly executed scenes, Mank and Marion are seen conversing amidst drinks and cigarettes on Hearst’s massive estate, on his bankrolled film sets and more significantly in the social shadow of William Randolph Hearst’s friendship with studio executive Louis B. Mayer who founded Metro-Goldwyn-Mayer or better known as MGM studios a rival to Paramount.

Hearst is played with a regal elegance by famed British character actor Charles Dance (White Mischief) while Mayer is played with an unrecognisable talent by Arliss Howard. Toby Leonard Moore plays David O. Selnick, the producer of Gone with the Wind.

By far the most extraordinary scene in Mank is the fancy dress dinner party in 1937 whereby Mank, utterly drunk, storms into the lavish setting and proceeds to lambast the most important guests at the table including Hearst, Mayor and Marion Davies.

Hearst after Mank’s tirade coolly escorts the inebriated screenwriter out of his mansion reciting the story about the organ grinder’s monkey, alluding to what Mank really is: a clown in a major larger circus. That circus is and always will be show business.  

Any aspiring filmmaker or film analyst studies Citizen Kane, and Mank is a very specific film, a cineaste’s tribute to the Golden age of Hollywood in the 1930’s and 1940’s. It’s best to research the period between 1934 and 1942 in Hollywood to appreciate Mank’s extraordinary elegance and cleverly crafted story.

Mank is sumptuous, intelligently told and Gary Oldman holds the entire film together in his witty and cantankerous fashion giving Mankiewizc a quality of genius bordering on the tragic.

Mank gets a film rating of 8.5 out of 10 and is a film lover’s tribute to cinema, ironically streaming on Netflix and not available in cinemas.