Posts Tagged ‘Victor Garber’

ARGO

This is a fake film about a real escape

Ben Affleck suitably impressed the Hollywood Foreign Press with the brilliant socio-political thriller Argo which he deservedly  won the 2013 Golden Globe for best director but it was a travesty that he was not nominated for an Oscar for the 85th Academy Awards in the best director category for this tightly woven docu-drama about the Iranian hostage crisis spanning from 1979 to 1980.

Argo starts off with an almost picture book history of Iran up to the overthrow of Shah Mohammad Reza Pahlavi in 1979 and the rise to power of the Ayatollah Khomeini which turned Iran from a Kingdom into an Islamic Republic. Amidst this cultural and fundamental Islamic revolution is a diplomatic crisis which stems from the Iranian revolutionaries storming the American Embassy in Tehran in November 1979 in reaction to the Shah seeking political asylum in the USA. Whilst the majority of the US citizens remain hostage, six escape and seek refuge in the Canadian ambassador’s house in suburban Tehran at the height of the Iranian Revolution

Back at CIA headquarters in Langley Virginia, Brian Cranston as Jack O’Donnell pulls in Tony Mendez played with a subtle strength by Affleck as an extraction specialist who comes up with a hair-brained scheme to rescue the six hostages in Tehran using the cover of a Canadian crew shooting a fake science fiction film in Iran. Enter Hollywood, where Mendez soon flies to L.A. and in a surprisingly limited time enlists the help of prosthetics expert John Chambers played by John Goodman and disgruntled and cynical veteran film director Lester Siegel superbly played by Alan Arkin to set up and promote the non-existent film Argo, taken from a trashy Sci-Fi script with a faintly Middle Eastern setting, almost like the planet Tattoine in Star Wars.

Where Affleck as director excels so powerfully is his skilful cinematic combination of the ludicrous wealth and theatricality of Hollywood, especially presented in the wonderful Comicon press launch scene at the Beverley Hills Hilton  intercut with the real brutality and turmoil of the Islamic revolution where Tehran and Iran as a country in 1979 were experiencing a major political and socioeconomic coup aided by a vengeful revolutionary guard.

Escape from Tehran

It’s really the second half of Argo which is terrific entertainment and is a tense escape tale whereby Affleck’s character Mendez not willing to show the real strain he is under flies first to Istanbul and then into Tehran and with the assistance of the Canadian Ambassador skilfully extricates the six American hostages out of Tehran through a terrifying airport passport control sequence which for any international traveler is sure to bring back vivid memories. Along with a classified CIA mission, a bizarre ploy about shooting a sci-fi film in and around Tehran, Argo is a thought-provoking portrait of two vastly different societies connected only through a shared mesmerizing interest in a fake narrative in which they don’t fully grasp the realities yet, but recognize the antagonism associated with conflicting cultural ideologies. Much like earthlings sent to a distant planet!

Affleck’s triumph as director is that he never vilifies the Iranians and also does not succumb to much American glossy patriotism but accurately presents a bizarre tale of courage, tenacity and duplicity of international proportions and of the extraordinary lengths governments will go to protecting their own citizens in foreign diplomatic missions. Argo is helped by an excellent script by Chris Terrio and a suitably nerve-wracking original score by Alexandre Desplat who makes sure the pace of the film is maintained somewhere between terror and absurdity.

Argo is an engaging declassified tale of one man’s courage to protect his fellow countrymen in a hostile environment whilst maintaining an almost definitive sense of calm and fortitude. Kyle Chandler, Tate Donovan and Philip Baker Hall also star rounding off this highly recommended slice of late 1970’s historical drama in a similar and less violent vein than the German film The Baader Meinhof Complex.

Milk

directed by

Gus van Sant

The article below was prepared for a film workshop and discussion of Milk held at the inaugural Durban Gay and Lesbian Film Festival November 2011.

“My name is Harvey Milk and I want to recruit you”.

Political Activist, Martyr and lover of Opera

These words were used at a speech Milk made on the San Francisco City Hall steps as an elected city supervisor at the Gay Freedom Day Parade on the 25^th June 1978 four months before being assassinated. This scene in Gus Van Sant’s film is critical to the viewing of Milk as not just as a film about the Gay rights movement in America, but a film about civil rights and the fight for protection against bigotry and the preservation of individual freedoms which should be enshrined in any democracy.
Milk was an activist for Gay rights and for human rights and he galvanized the communities of Castro Street in the Eureka Valley and also the Haight-Ashbury district of San Francisco for the protection of civil liberties. Milk was also the first openly gay man to be elected to an official position in a major metropolitan American city. He was a south-African equivalent of an Executive councillor and not merely a ward councillor.

Historically any political movement with a strong base of supporters, martyrdom works. There are examples of martyrs in a range of socio-political movements worldwide from Gandhi to Martin Luther King, to Ruth First. Milk knew of the risks he was taking as an openly gay supervisor who was ready to engage in public debate at a time when the gay rights movement was blossoming along the American West Coast.

Milk was ready to die for his beliefs and was already casting himself in the role of a martyr – he persevered in the face of constant death threats. He challenged opposing viewpoints which were mostly grounded in the form of religious bigotry and parochial conservatism crystallized in the form of Florida religion fanatic Anita Bryant and Californian Republican Senator John Briggs.

Milk stood up for what was right at a particular moment in a historical context which reflected the aftermath of the sexual revolution of the 1960s, and followed on from similar social political movements in America most notably the civil rights movement of the 1960s and the anti-war demonstrations of the late 60s and early 70s (notably about the Vietnam war). Harvey Milk was a skilled political activist and knew how to mobilise his supporters effectively.
Milk’s challenge to gay and lesbian people in America was this – We have to let them know who we are. You have to be open about your sexuality. He was the political version of the current crop of Hollywood stars and singers who are breaking through the glass closet Zachary Quinto and Ricky Martin, David Hyde Pearce, Neil Patrick Harris.

As a film, Milk was hugely successful for 3 reasons –
1) Director Gus van Sant is an openly gay director and has touched on homosexuality in his previous films, My Own Private Idaho and his award winning film Elephant.
2)  The screenwriter Dustin Lance Black who won an Oscar for best adapted screenplay was openly gay.
3) Milk as a film was researched and had the input of surviving members of the Gay rights movement of the 1970s notably the influential Cleve Jones, played by Emile Hirsch in the film, Milk was shot in all the actual locations in and around San Francisco, notably the City Hall and Castro Street neighbourhood. Van Sant encouraged all the actors to improvise in their characters in the authentic locations they were shooting in. Seasoned actor, Sean Penn’s performance of Harvey Milk is exceptionally brilliant, notably winning him a 2^nd Best Actor Award.

There is a moment in Milk when Harvey is delivering the recruitment speech at Gay Freedom Parade that this biopic transcends the boundaries of being just a film about gay rights, but a film about justifiable civil rights. Ironically the call for recruitment sounds very similar to Uncle Sam calling for new army recruits to the US military. Gay people came to San Francisco from small towns across America and the gay community swelled after the end of World War 2 when many closeted military men disembarked at San Francisco after returning from the Pacific theatre of War and remained in the city, not obviously keen to return to conservative mid-Western towns.

Viewing Milk in a South African context

South Africa is an intensely political society and as a new democracy which has enshrined the rights of every individual by having one of the most liberal constitutions, gay people are protected by the constitution but is there an adequate justice system to enforce the civil liberties of gay people in SA. This point is made in Milk in the 70s when gay men are beaten up and victimised by SF police officers in the film. Even though gay rights are enshrined in the South African constitution and discrimination based on sexual orientation is forbidden, does the South African police force adequately uphold these rights in contemporary society? In terms of Gay Pride marches worldwide from Sao Paulo to Warsaw – the role of the police as both protector and persecutor is brilliantly explored in the documentary Beyond Gay: the Politics of Pride.

Best line in the film – “I sound like a homosexual with Power” – from being marginalised to being politicized that was the legacy that Harvey Milk gave to the American and the international gay rights movement.
Harvey Milk was a quintessential Gay politician who only served in office for one year but his impact on social change and his symbol as a martyr for the gay rights movement in America and internationally is huge. Milk was 40 years old when he first came out the closet and started living as an openly gay man.
The character of Dan White played by Josh Brolin in Milk represents a complete dichotomy from Harvey Milk. White was also a fellow city supervisor from a strong Irish Catholic neighbourhood who was concerned more with supporting a family on a municipal salary than supporting any of Harvey Milk or Mayor George Moscone’s liberal city ordinances. Dan White viewed Harvey Milk as a threat and he acted upon that threat, whereas Milk underestimated the danger of Dan White as a potential enemy. The last quarter of the film, there is a sense that Milk had almost become cavalier with his political power despite receiving numerous death threats. Milk was willing to become a martyr and for the cause, often remarking that politics was theatre.

Politics is Theatre

Politics is theatre except the scripts are different, but there remain the stars even they become legends as martyrs.

Van Sant skilfully shows not just the extent of the Milk’s activism but also his passion for the gay rights cause at the immense cost of his personal life and safety. The film beautifully reconstructs the fateful events leading up to Milk’s assassination and the truly poignant ending of Harvey Milk being heralded as a martyr by the community he served and adored. Milk is more about Martyrdom and Activism in a socio-political movement in the 1970s and the call for equal civil rights for gays and all other minorities.

Today in San Francisco there are convention centres, streets and public institutions named after slain City Supervisor Harvey Milk and Mayor George Moscone. Corner of Castro and Market Street in Eureka Valley is now called Harvey Milk Plaza.
The immortalization of martyrs for a cause is not new in any political movement and is especially significant in the current SA political context with conference centres, highways and streets being renamed after struggle heroes against Apartheid more appropriately in cities such as Durban and Johannesburg.

Proposition 6 as put forward by Californian Senator Briggs was legislation that allowed the California state to discriminate against employees in this case teachers on the basis of sexual orientation. Milk’s biggest triumph was getting the gay communities and the broader society to vote against the implementation of proposition 6.
Irony is that Gay Marriage in America as a federal law is still banned. Only several US states have passed legislation allowing gay marriage to date including Vermont.
Proposition 8 (ballot title: Eliminates Rights of Same-Sex Couples to Marry. Initiative Constitutional Amendment; called California Marriage Protection Act by proponents) was a ballot proposition and constitutional amendment passed in the November 2008 state elections. The measure added a new provision, Section 7.5 of the Declaration of Rights, to the California Constitution, which provides that “only marriage between a man and a woman is valid or recognized in California.” – Wikipedia source.
Innovative film style of Gus Van Sant –Van Sant’s visual style is unique from extreme close-ups highlighting the intimacy of the characters to showcasing the broad political activism that Milk did to galvanize and protect the gay community in San Francisco in the 1970’s. Political activism involved taking over a block then a neighbourhood and gaining support and credence for specific municipal issues.
Suggested Reading and Viewing: ~
Biography: The Mayor of Castro Street: The Life & Times of Harvey Milk by Randy Shilts
Documentary: Beyond Gay: The Politics of Pride by Bob Christie

The brilliant film Milk is recommended not so much for its excellent coverage of political mobilization but more for Sean Penn’s superb and heartfelt portrayal of Harvey Milk. Of course there are those seventies fashions, James Franco skinny dipping and the wonderfully coy Emile Hirsh. Well worth the viewing.

If viewers loved director Gus Van Sant’s earlier works including My Own Private Idaho, Drugstore Cowboy and Elephant, then this film is up there with Gus Van Sant’s original masterpieces.

There is a detailed analysis of Milk under the title Activism and Martyrdom http://www.davidrwalker.co.za/2011/11/milk/ in a comprehensive article praising the merits of this film as a biography and a moving portrait of the Gay Rights Movement in America.

Milk also stars James Franco, Diego Luna, Emile Hirsch, Alison Pill and a fine supporting performance by Josh Brolin as supervisor Dan White.